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Description

The Ōta River and its tributaries flow through the city of Hiroshima, where they separate before reaching the Seto Inland Sea. In the heart of this delta is the Aioi, a bridge that has a giant T shape when seen from above. This distinct design made it the target of the first atomic bomb dropped on humanity.

The seven streams of the Ōta River correspond to seven stories from 1945 to 1995 about plagues afflicting the second half of the 20th century: concentration camp deaths, with the Nazi concentration camps as one of the most extreme examples; nuclear deaths, which began with a blinding flash in the Japanese sky one morning in August 1945; and viral deaths, which, with AIDS, marked the end of the millennium.

As one story leads to the next, a common theme emerges: the quest for meaning and peace when facing death and horror. It’s driven by characters who reject sensuality and laughter in the face of adversity: a Hibakusha (atomic bomb survivor) living with her wounds; an illusionist whose mediocre tricks nevertheless cheer those he is interned with; a performer who discovers the Middle Way in an unexpected place… And then there’s the young Western dancer who came to learn butō and now finds himself, 50 years after the bomb, contemplating Miyajima’s torii—the sacred gate that seems to float on the water where the seven streams of the Ōta River flow into the Hiroshima Bay.

Show Times

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Cast

  • Rebecca Blankenship
  • Lorraine Côté
  • Christian Essiambre
  • Richard Fréchette
  • Tetsuya Kudaka
  • Myriam Leblanc
  • Umihiko Miya
  • Audrée Southière
  • Philippe Thibault-Denis
  • Donna Yamamoto

Credit

  • Text Éric Bernier, Gérard Bibeau, Normand Bissonnette, Rebecca Blankenship, Marie Brassard, Anne-Marie Cadieux, Normand Daneau, Richard Fréchette, Marie Gignac, Patrick Goyette, Robert Lepage, Macha Limonchik, Ghislaine Vincent
  • Conception and Direction Robert Lepage
  • Creative Direction Steve Blanchet
  • Dramaturgy Gérard Bibeau
  • Assistant Director Adèle Saint-Amand
  • Music and Sound Design Michel F. Côté
  • Music Collaboration and Musician Tetsuya Kudaka
  • Original Scenography Carl Fillion
  • Scenography Adaptation Ariane Sauvé
  • Lighting Design Sonoyo Nishikawa
  • Image Design Keven Dubois
  • Costume Design Virginie Leclerc
  • Properties Design Claudia Gendreau
  • Production Manager Marie-Pierre Gagné
  • Production Assistant Véronique St-Jacques
  • Technical Director - Creation Catherine Guay
  • Technical Director - Tour Simon Cloutier
  • Stage Manager Francis Beaulieu
  • Sound Manager Gaspard Philippe
  • Lighting Manager Marie-Ève Malenfant
  • Video Manager Samuel Sérandour
  • Assistant Stage Manager Anne Marie Bureau
  • Head Stagehand Mathieu Cardin
  • Costumes Manager Virginie Leclerc et Isabel Poulin
  • Properties Manager Chloé Blanchet
  • Project Manager - Set Paul Bourque
  • Technical Consultants Stanislas Élie, François Ferland-Bilodeau
  • Child Extras Xueyi Wang, Justine Drolet
  • Set Building Astuce Décors, conception Alain Gagné
  • Costume Maker Par Apparat, confection créative
  • Music Copyright Clearance Delphine Saint-Marcoux et Josée-Anne Tremblay, La Négo
  • Robert Lepage's Agent Lynda Beaulieu
  • Design, original version : (in addition to some of the above mentioned) Catherine Chagnon, Jacques Collin, Sylvie Courbron, Éric Fauque, Yvan Gaudin, Cathy Lachance, Marie-Chantale Vaillancourt

  • A Production by Ex Machina in co-production with Chekhov International Theatre Festival (Moscow), Le Diamant (Quebec City), National Theatre of Great Britain (London), Schaubühne (Berlin), Centre culturel de l'Université de Sherbrooke, Théâtre du Nouveau Monde (Montreal), Festival Internacional Teatro A Mil
  • Producer for Ex Machina Michel Bernatchez assisted by Hélène Paradis, Associate Producer
  • Associate Production, Europe, Japon Epidemic (Richard Castelli assisted by Florence Berthaud)
  • Associate Production, The Americas, Asia (except Japan), Australia, New-Zealand Menno Plukker Theatre Agent (Menno Plukker assisted by Magdalena Marszalek and Isaïe Richard)

  • Ex Machina is supported by by the Canada Council for the Arts, the Quebec Arts and Letters Council, and the City of Quebec.

  • The full original version of Les sept branches de la rivière Ōta was created at the Saint-Vincent-de-Paul Church (Québec) on May 17, 1996, as part of the Carrefour International de Théâtre de Québec.
Public Programming Partners
Conseil des arts et des lettres du Québec Ville de Québec Conseil des arts du Canada Canada